Ragtime Music Denounced at Convention

Here's an old article on ragtime music from The Sunday Telegraph dated June 2, 1901. Notice the irony of the caption how "long haired individuals" says the music is "rot trash" and "distinctively vulgar"?  Pretty much the same reaction when Rock -n- Roll came onto the scene with The Beatles, Elvis and others. 

Read more on this article.

Scott Joplin's Pianos - upright or grand piano?

Over the years I learned much about the King of Ragtime, Scott Joplin, and the kind of piano he may have played on either the upright or grand piano. Reading suggested works such as Dr Edward A. Berlin's two books on ragtime, a carefully researched, well-documented musicological and historical examinations on ragtime history, I learned that Scott Joplin had an upright he played on in New York City. But in Saint Louis he may have actually had a grand piano, and might have at least had access to one for composing and performance purposes in New York City.

If one looks at The Paragon Rag music sheet one could see on how it could only be properly played on a grand piano with a sostenuto pedal. A sustained chord for two measures cannot be done properly on an upright piano because it has no sustenuto pedal to begin with for that time period.  Only a select few very expensive ones with tricky mechanisms have a sostenuto pedal to make the piano piece work as written (Note: the sostenuto or middle pedal on most grands 5'5" or larger. One plays a chord, then press the sostenuto pedal down. Only those dampers will be held while the others will continue to mute after the key is released, allowing only the held notes to sustain). In any case, this would strongly suggests that Paragon Rag at the very least was composed with a grand piano in mind, and therefore possibly composed when he had access to one. Other Joplin pieces such as Bethena and Binks Waltz might have benefited from a grand piano as opposed to a vertical upright piano. Looking and listening to a Bethena or Binks Waltz music would more than likely call out for a tone befitting of a grand piano than not.  Scott Joplin may have used a grand piano at John Stark's store (music publisher on many of Scott Joplin’s ragtime composed pieces including the well-known and famous The Entertainer and Maple Leaf Rag songs), at a nearby social club or with some of his friends who had pianos. Knowing some of the history helps with learning on how to play, namely, Scott Joplin's  ragtime.

With thanks to "Perfessor Bill" who is a ragtime genius helped shed some light on the ragtime question.

Ragtime Era Clothes

One good way to research ragtime era clothing (between 1890 and 1929) is to examine the cover sheets of old ragtime scores. This can be done by browsing at digital libraries such as the University of Colorado Digital Sheet Music Collection or any number of sources seen in the link on the right side column of my blog (scroll down some) under "Free Ragtime Sheets." In there you will find cover sheets that depict people or couples wearing clothes at the time of publication. A fairly accurate way to ensure that the clothes you see is indeed ragtime era clothing between 1890 and 1929 (which is the end period prior to the terrible stock market crash in 1929). Good times before everything went south. This will help gain a better understanding on the types of clothing to wear if you decide to dress correctly for that era such wearing costumes for ragtime festivals, ragtime society groups, or compete in World Championship Old Time Piano Playing contests when the rules call for clothes as an authentic period dress, preferably so between 1890 and 1929.

Enjoy!

Revival

It's been awhile since my last post. Things have been busy distracting me from my blogging.  I also had to stop playing the piano for several months to allow my upper back to heal. I could not sit for more than 10 minutes on my piano bench without getting some serious aches and pain between my shoulder blades. Results of sleeping on a bed that did my back no favor. Switched to a different bedding and can see the improvements. I now can sit on the bench an hour or so at time and not feel the effects. Plus, my left hand has been experiencing trigger finger type condition. I just do too much with my hands working the yard, chopping woods, hammering, working on the computer laptop, piano playing and any gripping motion. So, I'm trying to limit my playing time on the piano but I have recently been practicing and playing more over the last month playing the piano about 2 times a week. I'd like to do it everyday but that may have to wait. 

I plan on doing more ragtime piano blogging. Being a (the only) deaf pianists, that I know of ,who enjoy playing ragtime. It is not often I come across a deaf or hard of hearing pianist. But, ah, so many things to do right now.

Deaf Pianist Donates $2 Million Dollars

A deaf person who also plays the piano donates $2 milllion dollars to California State University, Fresno.

Retired architect, vineyard owner and piano player Robert Duncan Nicol, who has been deaf since birth, says he is living proof "that deaf people, indeed, can do many things." That includes being a generous benefactor. Nicol on Friday gave $2 million for The Silent Garden program in the Communicative Disorders and Deaf Studies department at California State University, Fresno. The donation will help deaf and hearing-impaired children, their parents and teachers, as well as adults with hearing loss.

Young pianist continues to struggle with declining hearing

Here's a young pianist who was born with some amount of hearing loss but in her later years as a teenager her hearing loss has noticeably progressed affecting her piano playing skill. She continues to compensate by feeling the vibrations through her fingers on the keyboard. Doctors are unable to find out why she has lost more of her hearing or whether she will progressively lose more in the future. In December of 2011 she put on a musical show at her school to raise funds for the National Deaf Children’s Society. Read more on this story.

Making Music with a Hearing Loss: Strategies and Stories

That book is now available in Amazon. I'll be getting a free copy of it since I'm one of the several deaf/hh musicians who were interviewed for that book. My narrative can be found in the final chapter of that book.

There are many texts on music and hearing loss, but what makes this volume unique is that it does not require the reader to have any previous background in hearing science. It is written in non-technical language for the layman, and begins by explaining how the human ear hears sound. It covers the interplay between music, speech and hearing devices and discusses hearing conservation for musicians. The final chapter contains inspiring narratives from eleven deaf or hard of hearing musicians belonging to the Association of Adult Musicians with Hearing Loss. These eleven stories describe using a variety of strategies to integrate hearing loss and music making. Musicians new to hearing loss, hearing-impaired adults wanting to learn a musical instrument, audiologists, music educators, and music researchers will also find this book a valuable addition to their library collection.

I'll be waiting with great anticipation for my free copy. If you are deaf or hard of hearing and enjoy music, this will be a great book to have. If you have a hearing loss and is considering on wanting to play a musical instrument, don't let your hearing loss stop you. And if you do play a musical instrument....don't stop! Keep practicing and find other like minded people who enjoy playing music with their musical instruments.

Sky Mundell wins Vancouver Island's Got Talent!

I covered him briefly before of him playing on his piano in a YouTube clip. His name is Sky Mundel. But the amazing thing is that not only is he blind and deaf but he has cerbral palsy and is autistic. He won the coveted Vancouver Island's Got Talent contest that took place this year on January 20th.

The 19-year-old pianist wowed the judges and audience alike at the finale for Vancouver Island's Got Talent Jan. 21, as he had throughout the competition, with two pieces dedicated to his mother and sister.

"It was a pleasure playing in this competition and I certainly will have a lot of fun performing in Las Vegas," he said upon taking to the stage after event host Maria Manna announced him as the winner.

Mundell, whose goal is to pursue a career in the music industry, will get a head start on that dream thanks to his win.

He will travel to Vegas to sign a contract with the Nevada Talent Agency, will perform at Planet Hollywood there as part of V: The Ultimate Variety Show, will receive image consulting and a professional marketing package.

He also won recording time for a three-song demo CD, a professional photo shoot and help setting up a web and social media presence.

This is an incredible young man, 19 years old, to win this competition. Below are the videos of the Vancouver Island's Got Talent with him in it.


Final round and announcement of Sky Mundell as the winner out of 84 contestants.


2nd round in VIGT competition in November 2010.


1st round in October 2010

Someday soon I would like to meet him personally since Vancouver Island (Canada) is about a 6 hours drive from where I live. I am fascinated by pianists who are blind and a savant but Sky Mundell is quite the incredible and different pianist who happens to be deaf and austistic. In fact, I do have an interest in musically talented pianists who are blind and are classified as savants but Sky Mundell is a different breed. And why the interest? Well, naturally I'm a pianist myself who play ragtime and novelty rag pieces who happens to have a hearing loss in both ears.

It was late last year when I read a book about a black, blind savant pianist named "Blind Tom" who was one of the nineteenth century's most famous and perplexing pianists. A man with such an uncanny talent that very few of us would even dare hope to hold. It was several years ago when I became fascinated with pianists who are blind and classified as savants when I saw a show about boy named Derek Paravicini who is such a pianist who is now an adult today. But for Sky Mundell, I'd say that a congratulation is in order for this young man. May he find success and joy!

My story

I was born with hearing loss when my mother contracted the German Measles or Rubella while I was still in the womb. This occurred during the Rubella outbreak of the northwest in 1960s. I born with profound hearing loss in my left ear while my right ear was somewhat spared with a hearing loss about 70 dB. I was fitted with a hearing aid at age three in my better ear.

My fascination with music began early on. So, at age 7 I begged my Mom and Dad to get a piano because I wanted to learn how to play the piano. I’m not exactly sure why I did this but I think it’d be fun and cool to be able to play the piano. Of the three of us siblings, my younger sister and older brother, I was the only one who continued to practice on the family piano while growing up. Over the years I had fun performing at piano recitals though I didn’t take much stock in the fact that I was a hard of hearing kid who can play the piano and that I probably stood out from the rest of the people there.

At about age 11 my first piece was a simplified version of “The Entertainer” - a widely popular and recognizable Scott Joplin ragtime piece. And during my early teen years I re-discovered ragtime when my piano skill progressed even more to the point of playing more complicated and original ragtime piano pieces such as Maple Leaf Rag, The Entertainer, The Cascades, Original Rags and so on. It was that weird and intoxicating music that hooked me.

Much of my young life has been rather a musical one. I can play any instruments if I wanted to since I am able to hear all range of musical notes with the help of my hearing aid. I’ve played the violin, taught myself to play the saxophone to the point of being good enough to play in a middle school band, played the drums, and xylophone in middle and high school bands. I was in a marching band in high school and I was the bass drummer where we competed in marching band competitions in Georgia, South Carolina, and Florida. And at one time I played the piano for an audience on a theater stage while in college belting out Maple Leaf Rag. Ironically, it was at Gallaudet University, a school I attended while as a student. Despite all that my main musical instrument has always been the piano.

My love for ragtime stayed with me even while as I was absent from ever touching a piano during my college days (with on occasion the opportunity to practice but not as much as I have wanted and without the distraction of education) and while raising a family. My time was limited but did what I could whenever I came across a piano. In that absence I read books on ragtime and the people who played ragtime, and collected ragtime piano sheet music whenever I could. What was a big help during my graduate college days at University of Idaho was the availability of pianos on campus and the famous Lionel Hampton International Jazz Festival held annually on campus. The internet over the last several years has made it easier for me to learn and experience more about ragtime, the people (new and old), the history, and the music through YouTube. It has given me blogging opportunities, allowed me to become involved in a ragtime discussion forum and provided a way to download lots of free ragtime music sheets dating back to the early 1890s.

My time finally came in December 2008 when I decided it was time to buy myself a new piano and not have a broken down piano to worry about. I decided upon a goal to get back into ragtime with fervor and become the first known deaf ragtime pianist. It will take some time, gradually and slowly for sure as I branch into other well know ragtime composers such as W.R. McKanlass, Charles Leslie Johnson, George Botsford, Holmes Travis, and many other well known and not so well known composers, including the early jazz pieces like Jelly Roll Morton.

Over time I was finally able to get to the point of practicing 4 or 5 hours a day if I wanted to. Though my normal, ideal, amount of time is about 2 to 3 hours a day due to the challenge of finding the time to play when my kids are not around. It will take some time to get all of my piano coordination and skill back on track. I may be a “natural” in some sense but it sure doesn’t feel like it. There is a 25 year gap I’ve got to catch up on. My sight reading is getting easier nowadays whenever I come across a new ragtime music sheet pieces though by no means can I whiz right though them, yet. There are thousands of ragtime sheets out there, many of them available over the internet. I collect them for my growing ragtime portfolio both in electronic format and hard copy. My goal is to play as many of these ragtime pieces and memorize some of them when I can. Someday I'll eventually move into early Jazz pieces (e.g. Jelly Roll Morton) and stride piano (e.g. Fats Waller) but for now it’s all ragtime and lot of catching up to do.

My challenge nowadays is to find other ragtime pianists that I could associate myself with and keep my interest high on playing the piano on a daily/regular basis. When I moved to Washington in June of 2009 from New Mexico I learned about the Portland Ragtime Society group in Portland, Oregon which turned out to be a 45 minute drive from my house. This group meets and plays ragtime together once a month at a public eatery that supports a piano. Currently we play at the Elevated Coffee in Portland. Other challenges include the continuing documentation of my progress in my Ragtime Piano! blog. I am always on the lookout for more deaf or hard of hearing pianists. And when I do find one I try and learn about the person and document it in my blog. Future challenges are to try and attend ragtime festivals like the Scott Joplin Ragtime Festival in Sedalia, Missouri (June 2 - 6, 2010) of which I will be going. A deaf-owned company is sponsoring my trip (see story here). All in all I plan to include more videos for my blog and on my YouTube channel, interviews on ragtime pianists, and anything else I can do to increase my focus and interest on ragtime and piano playing. The internet is a big help and a valuable source of my continued learning. There are lots of strategies I can do to help with my interest in my playing the piano and ragtime. But I sure hope I have lots of fun getting there.

Another hard of hearing pianist playing ragtime

Here's an "hearing impaired" pianist playing Scott Joplin's Maple Leaf Rag. Don't know who this guy is but he is playing a ragtime piano piece, though.

Deaf, blind and cerebral palsy young man plays Jazz Piano

Here's something you don't see everyday. A blind, deaf man with cerebral palsy who started playing the piano last year on a new piano given to him for Christmas. He taught himself to play the piano by ear! The power of hearing your own music!

Welcome another HOH Pianist

Don't know his name yet but here's a piano playing video of this gentleman who is 21 years old and is currently attending a university in southern California. He plays a classical concert repetroire piece Chopin's Octave Etude and does it very well. He began playing the piano at the age of 3 and it was until age 5 did his parents found out he has profound hearing loss.

A tuned piano...

Last week I finally got my piano tuned and it certainly sounds so much better. It was tuned by a blind piano tuner named Kevin. Real nice guy and we talked briefly over the two hours it took to tune the piano to its crisp and melodic sound. The piano really needed the tuning after two moves and then subsequently across several states to its final destination after I bought it brand new back in December 2008. Now with the ragtime pieces I'm playing they sound so much better but some pianos do sound better with certain rag pieces than other pianos, even newer ones. Even my aunt's player piano sounded really great when I played several ragtime pieces for year. Another dream of mine is to get an antique player piano someday. It'd be a really great center-piece for my house (aside from a baby grand piano) and a fun one to play on. So many rags to choose from, the list just keeps growing. Ain't that great or what?

KK Ragtime by Mike McConnell

This is an up and coming popular ragtime that was spurred on by a Ragtime master himself Tom Brier. Here I play slightly faster than what the Animal Crossing game character KK Slider would sing. And so I decided to throw in a bit of KK Slider's "wack wack" voice into my playing just for effect and have a bit of fun. Not perfect like Tom's nor KK Slider's voice but what the heck, I like this piece. A few blips here and there but essentially it went well.

Video's not smooth but at least the sound came through alright. I had to turn off my fan in my house, turn on my halogen light (hot!!), a house with no air conditioner, and we hit a record high of 106 degrees in the Vancouver-Portland area. I was already sweating by the time I hit the record button. And now I need a cold shower. Enjoy!




Mike McConnell's previous video piano pieces:

Black and White Rag
Maple Leaf Rag

The Easy Winners

Still playing as I fine tune my The Easy Winners ragtime piece where I plan to videotape it soon along with Black and White rag, too. I still have to deal with a bit of nagging pain in my left hand which only requires rest from the piano for a few days or so. In fact, I play a little bit better if I don't play the piano for 3 or 4 days. But then again, it's hard to resist playing on my piano as it sits in my living room.

Meanwhile here's a great piano and violin piece on The Easy Winners. The two musical instruments go wonderfully together. Enjoy the song.

Grandad the Rag Player

Here's an older late-deafened gentleman who is nearly deaf plays Ragtime Cowboy Joe and sings it, too. Click on the link to visit the blogsite and listen to him play.

Grandad was quite the performer on the piano, and was always happy to sit down at the piano to ham it up with a little (very little) prodding. Actually the picture I have on the post My Hero's Hero is of my grandad at his piano (relocated to Little Rock). He was almost completely deaf at the time the photo was taken, so he couldn't hear himself playing, but he knew the notes, and was picking out 'Ragtime Cowboy Joe'. Needless to say, it was a really special moment, and I'm so glad I was there to capture it.

It is a special moment when capture moments like that.It was nice listening to him play. Although you may need to crank up your volume to hear him play.

Here's the original piano song piece if you want to play it.

Here's the song's lyrics though it's not exactly in the order he sings it but you get the idea of how it goes. .

He al-ways sings rag-gy mu-sic to the cat-tle
As he swings back and for-ward in the sad-dle
On a horse that is syn-co-pat-ed, gait-ed,
And there's such a fun-ny me-ter to the roar of his re-peat-er
How they run when hear that fel-low's gun
Because the West-ern folks all know
He's a high-fa-lut-ing, scoot-ing, shoot-ing
Son-of-a-gun from ar-iz-o-na Rag-time Cow Boy Joe.

Out in Ar-iz-o-na where the bad men are
And the on-ly friend to guide you is an Eve-'ning star
The rough-est, tough-est man by far is Rag-time Cow Boy Joe
Joe got his name from sing-ing to the cows and sheep
Ev'ry night they say he sings the herd to sleep
In a bass-o rich and deep croon-in' soft and low.

He dressed up ev'ry Sun-day in his Sun-day clothes
He beats it for the vil-lage where he al-ways goes
And ev'ry girl in town is Joe's 'cause he's a rag-time bear.
When he starts a-spieling on the dance hall floor
No one but a lun-a-tic would start a war
Wise men know his fo-rty four makes men dance for fair.

An update and slow down..

Still practicing though not as long as I want it to be on a daily basis (3 to 4 hours a day). Over the last 4 or 5 weeks my left hand, wrist and some in the forearm I am experiencing a bit of annoying pain after I play for an extended period (and that means like 20 minutes or so). My left hand/wrist area seems to get a bit inflamed where the tendons are getting rubbed from the repetitve action. So, I've adjusted my bench by getting rid of my cushion so I can sit a little lower that puts less awkward pressure on my left hand by changing the position some. Really, I just need to lay off for a 9 or 10 days straight and let it recuperate. But with the piano in the living room staring back at me I would just want to practice and have fun instead.

I got the Black and White Rag down to full memory and play it through without much problems. I'll tape it someday soon.

K.K. Ragtime is coming along as well as well as for a few other ragtime pieces. But with my constant injury to my left hand the practicing is slowing down and reducing my practicing hours. Kind of makes me a bit angry there. Oh well, until next time.

Kohler and Campbell Piano

Here's a better picture of my Kohler & Campbell 46.5 inch high studio piano I bought last month.

Farrell's Ice Cream Parlour and Ragtime

My earliest recollection on my exposure to ragtime music was at the Farrell's Ice Cream Parlour in Tacoma, Washington during the early to mid 1970's. It was a festive place, even for a deaf boy with a hearing aid who delighted in the sounds of loud drumbeats, bells and sirens over birthday announcements and such. And at near the entrance of Farrell's was an upright player piano that constantly played these unique and mesmerizing ragtime songs only that I didn't know it was called ragtime back then. it was simply cool to listen. I'd stand there in awe as I watched the keyboard move while invisible hands played ragtime scores.





It'd be nice if Farrell's throw in a bit of authenticity by having a ragtime pianist at the piano rather than use a piano player or somehow have them help sponsor those ragtime festivals. But sadly there are only two stores right now and Farrell's just recently in Novemember 2008 got over a 5 year lawsuit that prevented them from moving forward. They are now making plans to open more stores and recapture those novelty days when going to Farrell's means having a truly good time. Hearing the words "Farrell's Ice Cream Parlour" brings back good childhood memories of a good time. Farrell's and ragtime are synomous with each other. It brings back the feeling of good times.

Maybe it's time to make a special dedication to Farrell's Ice Cream Parlour at one of the ragtime festivals in honor of Bob Farrell and Ken McCarthy, the founders of Farrell's, for helping keep nostalgia alive and making it fun?

You can go here and review the history of Farrell's Ice Cream Parlour from the past to the present.

ADDENDUM: If you're a fan of Farrell's Ice Cream Parlour and Restaurant you can join one in Facebook where there are currently some 24,000+ fans of Farrell's.

Piano Recital

Here's a picture I dug up of me playing the piano during my recital when I was 11 years old in 1977. Dig the cool 70's blue clothes I was wearing. I don't remember what I played but I know I did well as a hard of hearing kid with a hearing aid back then ever since I started playing at age 7 years old.

Please excuse the fuzziness of my picture since it was taken directly from my laptop webcam.